The exhibition Rendering Meaning at the SOFA Gallery, Indiana University, Bloomington, Indiana, USA, showed the result of a two-month visit with a focus on the interrelationship between technology/technique, material, and thought in the creative process. During this time a research on CAD/CAM and RP&M and its potential use in traditional ceramic methods took place as well as an independent and collaborative art- making combining ceramics and digital technology with Malcolm Smith, an interdisciplinary symposium entitled, “Infinite Speed, Zero Errors and Total Memory: Creativity and Desire in the Digital Age,”